Eames Plastic Stool, high, forest RE - basic dark

Vitra


Colour: Forest green


Vitra
Eames Plastic Stool



Description

Vitra's Eames Plastic Stool is a characterful bar chair that elevates the iconic design of Charles and Ray Eames' plastic chairs to new heights with its four-legged metal base. The shell seat provides excellent back support, making the bar chair perfect for both quick coffee breaks and relaxed gatherings and meetings. The high version of the bar stool is sized to fit standing-height tables. With its weather-resistant polypropylene seat and steel legs, the Eames stool is also suitable for outdoor use, such as pairing with a high terrace table.

Designed by Charles and Ray Eames, the plastic Eames chairs are true design icons of the 1950s. Their popularity lies in the timeless, ergonomic design and various leg options. The original model with a fiberglass seat was the first industrially produced plastic chair. Today, the seat of the Eames chair is made of recycled plastic which is collected from households. When viewed up close, seats made from post-consumer recycled plastic may contain tiny specks of pigment that add a pleasing vibrancy to the surface of the chair.

Colour
Forest green
Width
22.05 in (56 cm)
Depth
21.26 in (54 cm)
Height
47.24 in (120 cm)
Seat width
18.11 in (46 cm)
Seat depth
18.31 in (46.5 cm)
Seat height
31.3 in (79.5 cm)
Seat material
100 % recyclable dyed-through recycled polypropylene
Base material
Powder coated steel
Stackable
No
Notes
Suitable for outdoor use.
Ideal for use at counters and tables 110 to 47.24 in (120 cm) in height.
Warranty
10 years (product must be registered at manufacturer's website within 3 months of the purchase date)
Product ID

Charles & Ray Eames

Ray and Charles Eames were an American designer couple whose name is familiar for anyone with an interest in modern design. Charles Eames was born in 1907 in St. Louis, Missouri. He studied architecture at University of Washington and, invited by the Finnish architect Eliel Saarinen, continued his studies at the Cranbrook Academy of Arts, Michigan in 1940. There he met Eero Saarinen, with whom he participated in a competition called ”Organic Design in Home Furnishing”, arranged by New York’s MoMA. Eames and Saarinen won the competition using a plywood molding technique originally developed by Alvar Aalto. In Cranbrook Charles Eames also met her future wife Ray, and the couple got married in 1941. 

Ray Eames (née Kaiser) was an artist and photographer born in 1912 in Sacramento, California. She created a significant career as a furniture designer starting from 1941, when she began molding plywood into furniture together with Charles Eames. In 1946, the Eameses exhibited their work at MoMA, and in 1948 Herman Miller began producing their designs. In 1949, the famous Eames House was build in California – besides a home, the Eames House was also space for exhibitions of many notable designers of the time. In 1950s the Eameses started to focus more on photography and cinema. 

During their career, Charles and Ray Eames were awarded with many prestigious design awards, such as the British Royal Gold Medal and the Twenty-five Year Award by the American Institute of Architects, and in 1985 the Industrial Designers Society of America gave the Eameses ”The Most Influential Designer of the 20th Century" recognition. Charles Eames continued his productive career until his death in 1978, and Ray passed away in 1988, ten years to the day after Charles.

The designs of Ray and Charles Eames, such as the iconic Lounge Chair, different versions of the Plastic Chair and the ’Hang it all’ coat rack, have always been essential part of Vitra's production. Eameses’ influence on Vitra is more than just furniture – even today, their design philosophy influences Vitra’s values, course and goals.

Would you like to read more about Charles and Ray Eames and their work? Discover our books:
Eames, Eames Furniture Sourcebook, Essential Eames – Words & Pictures, The Design Book, Woman Made: Great Women Designers, Case Study Houses, Women in Design, Mid-Century Modern Design, Mid-Century Modern: Icons of Design, A Century of Color in Design

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