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  5. Turntable record player, oak WO-HK-TURNTABLE
Wooden Turntable record player, oak
Wooden Turntable record player, oak
Wooden Turntable record player, oak
Wooden Turntable record player, oak
Wooden Turntable record player, oak
Wooden Turntable record player, oak
Wooden Turntable record player, oak

Turntable record player, oak

Wooden

SG$ 5,852.00
9% GST is included

Wooden
Turntable record player SG$ 5,852.00

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Description

The Turntable record player console is a modern, minimalist version of the previously common but in recent years somewhat forgotten turntable console. A far cry from the massive turntable consoles of the olden days, Turntable features a sleek and simple design made of solid oak, designed by Harri Koskinen in collaboration with a professional woodworker.

The Elemental record player and MaiA Pre preamplifier integrated to the console guarantee high-quality audio standards whether you are listening to a record or music from your laptop or phone,  with headphones or via active speakers. The record player is pre-adjusted, so as soon as you have screwed on the legs and plugged in the speakers, the player is ready to be used.

Elemental technical specifications:

  • Speed: 33, 45 (manual speed change)
  • Speed variance: 33: 0,80% 45: 0,70%
  • Wow & flutter: 33: 0,29% 45: 0,27%
  • Platter: 300mm MDF
  • Tonearm: 8.6” metal tube
  • Effective arm length: 218.5 mm
  • Overhang: 22.0 mm
  • Effective tonearmmass: 8.0 g
  • Cartridge: Ortofon OM-5E
  • Counterweight for cartridge mass: 3-5.5g (included)
  • Tracking force range: 0-30mN (OM5 18mN pre-adjusted)
  • Output: RCA (phono)
  • Included accessory: RCA cable, 15V DC power supply
  • Power consumption: 4.0W
Colour
Oak
Width
85 cm
Depth
35 cm
Height
50 cm
Material
Lacquered solid oak
Weight
10 kg
Notes
Integrated: Pro-Ject Audio Systems Elemental turntable; MaiA Pre preamplifier
Product ID
WO-HK-TURNTABLE

Harri Koskinen

Harri Koskinen (b. 1970) is a versatile Finnish designer who has studied at the Lahti Institute of Design and at the University of Art and Design in Helsinki. His international breakthrough was in 1996 with the Block lamp, which is already considered a Scandinavian design classic and has been part of the MoMA’s permanent collection since 2000.

Koskinen’s creations include a wide range of different products – furniture, tableware, glassware, lighting, watches, textiles and much more – designed for world-renowned brands. Some of his best-known products are the candleholder Lantern and the All Steel pot series designed for Iittala, the K chair for Woodnotes, and a series of active speakers for Genelec.

At the Milan International Furniture Fair 2009, Koskinen presented his own brand Harri Koskinen Works, under which he produces his own furniture range. Koskinen’s design is characterized by functionality and strict aesthetic criteria – he is always looking for innovative solutions for both the consumer and the producer. Since 2012, Koskinen has been the Design Director of Iittala.

Koskinen has received prestigious awards for his works, including the Compasso d’Oro Award 2004 for his Muu chair, the Torsten and Wanja Söderberg Prize 2009, the Wallpaper Design Award for his Sofabed in 2010, and the Kaj Franck Design Prize 2014.

• Read Harri Koskinen's interview >

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The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.

  • Equal opportunities for all employees
  • Commitment to UN Global Compact, fair compensation for all employees
  • Corporate responsibility requirements defined and communicated for suppliers
  • Systematic work for improved inclusion and well-being in the workplace
  • Transparent supply chain
  • Suppliers' compliance to a code of conduct ensured
  • Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
  • Support for community involvement in the supply chain
  • Direct suppliers audited and certified
  • Fair and resource-wise water-use in production
  • No incineration or landfilling of returned items
  • No use of endangered species as materials
  • No direct environmental emissions or waste (excl. GHGs) from production
  • The sustainability of direct suppliers' production is addressed and monitored
  • Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
  • Material-efficient and ecological packaging
  • No potentially harmful chemicals used in own production
  • Positive impact on nature’s well-being through operations that regenerate natural ecosystems
  • Company's direct greenhouse gas emissions identified and commitment to reduction
  • Product's carbon impact identified and commitment to reduction
  • Guidance on energy- and eco-efficient use of the product
  • Contribution to climate initiatives beyond the brand’s direct operations
  • Low-carbon or compensated transportation
  • Carbon footprint of the product calculated and goals set to reduce it
  • 100 % renewable energy in own production and operations
  • Carbon neutral or carbon negative product
  • Sustainable and long-lasting material choices
  • No harmful or hazardous substances
  • Responsible raw material sourcing and production
  • Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
  • Ecological materials: natural, biodegradable, recyclable or recycled contents
  • Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
  • High aesthetic quality promoting long-term use of the product
  • Technically durable product design and material choices
  • Design for enduring life-long quality
  • Design and support for product maintenance, repair and upgradability
  • Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.

Learn more about the Product Sustainability Framework.

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