Marimekko’s Flower vase is perfect for displaying single flowers and little branches but looks lovely just as it is. Designer Carina Seth Andersson has given the small Flower vase a beautiful, distinct silhouette – the cylinder-shaped body is topped with a delightful sphere-like neck. The Flower vase is made of mouth-blown glass, and its height is 10,4 cm.
Flower vase, powder
Marimekko
Description
Marimekko’s Flower vase is perfect for displaying single flowers and little branches but looks lovely just as it is. Designer Carina Seth Andersson has given the small Flower vase a beautiful, distinct silhouette – the cylinder-shaped body is topped with a delightful sphere-like neck. The Flower vase is made of mouth-blown glass, and its height is 10,4 cm.
Product details (4)
- Material
- Opaque glass
- Colour
- Powder
- Height
- 10.4 cm
- Diameter
- 10 cm
- Product ID
Designer
Carina Seth Andersson (born in 1965) is a Swedish designer known for her glass and ceramic works that own a unique balance of timeless form and function. The work of Carina Seth Andersson carries a deceptively minimalist feel, concealing a range of highly considered details in which lie the extraordinary functionality of the products.
After graduating with a Master in Fine Arts from Konstfack, University College of Arts, Crafts and Design in Stockholm, Sweden, Carina Seth Andersson has continued to engage in education as a senior lecturer at Beckmans School of Design in Stockholm.
In 1994, Seth Andersson was selected to represent Sweden in the Milan Triennial, and in 1998 she designed glass artefacts for the Quite Simply series in conjunction with the European Capital of Culture project. Carina Seth Andersson has collaborated with many well-known Scandinavian and international design brands and has left a lasting imprint on Finnish design as well: in 2016, Marimekko launched a series of glass vases and textiles, designed by Seth Andersson, that draw inspiration from the brand’s most classic prints. The collection grew with added versions and seasonal colours and became vastly popular.
Carina Seth Andersson’s work has been widely exhibited in galleries and museums internationally, from Helsinki to Osaka. Her pieces have also been permanently included in the collections of the Victoria and Albert Museum in London, the Stedelijk Museum in Amsterdam and the Designmuseum Danmark in Copenhagen.
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Based on 1 reviews
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A
anonyymi
Maljakko on livenä paljon vaaleampi kuin kuvassa. Puuterin värin huomaa juuri ja juuri. Pienoinen pettymys.
143 days ago
Sustainability
The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.
Working conditions & labour 6/9
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Equal opportunities for all employees -
Commitment to UN Global Compact, fair compensation for all employees
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Corporate responsibility requirements defined and communicated for suppliers
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Systematic work for improved inclusion and well-being in the workplace
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Transparent supply chain
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Suppliers' compliance to a code of conduct ensured
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Direct suppliers audited and certified
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Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
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Support for community involvement in the supply chain
Eco-friendly production 6/9
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Fair and resource-wise water-use in production
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No incineration or landfilling of returned items
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No use of endangered species as materials
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No direct environmental emissions or waste (excl. GHGs) from production
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The sustainability of direct suppliers' production is addressed and monitored
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Material-efficient and ecological packaging
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Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
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Positive impact on nature’s well-being through operations that regenerate natural ecosystems
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No potentially harmful chemicals used in own production
Climate impact 4/8
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Company's direct greenhouse gas emissions identified and commitment to reduction
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Product's carbon impact identified and commitment to reduction
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Guidance on energy- and eco-efficient use of the product
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Contribution to climate initiatives beyond the brand’s direct operations
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Low-carbon or compensated transportation
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Carbon footprint of the product calculated and goals set to reduce it
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100 % renewable energy in own production and operations
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Carbon neutral or carbon negative product
Sustainable materials 3/6
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Sustainable and long-lasting material choices
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No harmful or hazardous substances
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Responsible raw material sourcing and production
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Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
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Ecological materials: natural, biodegradable, recyclable or recycled contents
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Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
Circular design 5/5
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High aesthetic quality promoting long-term use of the product
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Technically durable product design and material choices
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Design for enduring life-long quality
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Design and support for product maintenance, repair and upgradability
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Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.
