Fast and safe delivery

Customer Service Customer Service ()

Rating 4.7
Cart
  2. Furniture
  3. Chairs
  4. Armchairs & lounge chairs
  5. Swan 3320 lounge chair, b. alum.-Serpentine 0428, Grace chestnut FHF3320-SER0428-GRA-WALNUT-PI-SPAL
OUR PICKS

Swan 3320 lounge chair, b. alum.-Serpentine 0428, Grace chestnut

Fritz Hansen

19500 zł

Colour: Beige-brown, brushed aluminium

Fritz Hansen
Swan 3320 lounge chair 19500 zł

Description

Fritz Hansen's Swan 3320 lounge chair will charm both those who see it and those who sit on it. Originally designed by Danish designer Arne Jacobsen for the lobby and lounge of the SAS Royal Hotel in Copenhagen, this iconic recliner's charm lies in its gentle, friendly design – featuring no straight lines at all. Back in the 1950s, the Swan lounge chair was a technological wonder, with its curvy form breaking away from the straight and simple lines of traditional armchairs.

The Swan armchair's soft design not only offers an inviting appearance but also ensures exceptional ergonomic comfort, making it a pleasure to relax in its embrace. Whether placed in a living room or a hotel lobby, the luxurious wool upholstery adds a touch of Nordic sophistication to any environment. Upholstered in Kvadrat's special Serpentine wool fabric and finished with leather details, this special lounge chair is only available in 2024.

Colour
Beige-brown, brushed aluminium
Width
74 cm
Depth
68 cm
Height
77 cm
Seat height
40 cm
Armrest height
58 cm
Frame material
Polyurethane foam, glass fibre
Upholstery fabric
Kvadrat Serpentine, grey-beige 0428: 98% worsted new wool, 2% nylon.
Grace aniline leather, chestnut
Abrasion resistance
45.000 Martindale
Pilling
3-4
Lightfastness
6-7
Base material
Brushed aluminium
Weight
10 kg
Removable cover
No
Notes
Swivel base
Care instructions
Vacuum weekly on medium power with a soft brush nozzle.
Remove wet stains by carefully dabbing with a lint-free cloth or sponge wrung in warm, detergent-free water.
Product ID
FHF3320-SER0428-GRA-WALNUT-PI-SPAL

Arne Jacobsen

Arne Jacobsen (1902-1971) is the most celebrated post-war Danish designer and architect. He graduated from the School of Applied Arts in 1924 and from the Royal Danish Academy of Fine Arts, where he studied architecture, in 1927. Arne Jacobsen worked actively both as an architect and as a designer and received many prestigious awards for his designs, including C. F. Hansen Medal and the Grand Prix of Milan XI Triennale.

Jacobsen’s most famous project was the Royal Hotel in Copenhagen (1956-1960), for which he designed every detail from textiles and lamps to cutlery and furniture. The AJ lamps, designed for the Royal Hotel and manufactured by Louis Poulsen, are a fine example of his streamlined and elegant style. The cutlery designed for the Royal Hotel and produced by Georg Jensen, represents a stylish design that is still today much praised. Also, the famous Egg and Swan chairs were designed for the Royal Hotel. As often happened with Arne Jacobsen’s designs, they were initially realized for a certain project and only later put into serial production – the same happened for the AJ lamps, the cutlery and the furniture he designed for the hotel. Royal Hotel was an extremely important project for Jacobsen because he could finally put his theories of integrated design and architecture into practice.

Jacobsen is well-known also for the Cylinda Line range, designed for Stelton in 1967. Since the very beginning, Cylinda Line has been an undisputed icon of Scandinavian design and today the range is part of numerous permanent collections in design museums all over the world.

• Read our article on Arne Jacobsen >

View all products
This product doesn't have any reviews yet. Get your own piece of Nordic Happiness and be the first to review it!
Excellent

The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.

  • Equal opportunities for all employees
  • Commitment to UN Global Compact, fair compensation for all employees
  • Corporate responsibility requirements defined and communicated for suppliers
  • Systematic work for improved inclusion and well-being in the workplace
  • Transparent supply chain
  • Suppliers' compliance to a code of conduct ensured
  • Direct suppliers audited and certified
  • Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
  • Support for community involvement in the supply chain
  • Fair and resource-wise water-use in production
  • No incineration or landfilling of returned items
  • No use of endangered species as materials
  • No direct environmental emissions or waste (excl. GHGs) from production
  • Material-efficient and ecological packaging
  • No potentially harmful chemicals used in own production
  • The sustainability of direct suppliers' production is addressed and monitored
  • Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
  • Positive impact on nature’s well-being through operations that regenerate natural ecosystems
  • Company's direct greenhouse gas emissions identified and commitment to reduction
  • Product's carbon impact identified and commitment to reduction
  • Guidance on energy- and eco-efficient use of the product
  • Contribution to climate initiatives beyond the brand’s direct operations
  • Carbon footprint of the product calculated and goals set to reduce it
  • Low-carbon or compensated transportation
  • 100 % renewable energy in own production and operations
  • Carbon neutral or carbon negative product
  • Sustainable and long-lasting material choices
  • No harmful or hazardous substances
  • Responsible raw material sourcing and production
  • Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
  • Ecological materials: natural, biodegradable, recyclable or recycled contents
  • Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
  • High aesthetic quality promoting long-term use of the product
  • Technically durable product design and material choices
  • Design for enduring life-long quality
  • Design and support for product maintenance, repair and upgradability
  • Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.

Learn more about the Product Sustainability Framework.

Popular right now

Loading