Potence Pivotante wall lamp

Nemo Lighting

$915.00

Nemo Lighting
Potence Pivotante wall lamp
$915.00


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Description

Italian Nemo Lighting has re-launched the strikingly minimalist wall light Charlotte Perriand designed in 1938. Potence Pivotante is an L-shaped light that rotates 180 degrees on the wall and features a long and slender aluminium arm. Its round opal glass shade conceals a halogen bulb that can be dimmed with the dimmer on the power cord. With its large scale and timeless, reduced form Potence Pivotante makes a perfect statement light in both private and public contexts.

Material
Aluminium, metal, glass
Colour
Black
Length
200 cm
Height
104 cm
Bulb base
E27
Light source
8W LED (included)
Colour temperature
2,700 K
Luminous flux
900 lm
IP rating
20
Protection class
I
Voltage
230 V
Cable length
320 cm
Certifications and labels
CE, EAC, UL
Plug
EU plug
Integrated switch
Yes
Dimmable
Yes
Product ID
NM-POTHNW31

Charlotte Perriand

Charlotte Perriand (1903–1999) was a French architect and designer, who is most famously known for her ingenious, minimalist, and deeply functional work. Metal was of particular importance in Perriand’s design. Charlotte Perriand believed that skillful, quality design could also help to build a better, more sustainable society.

Charlotte Perriand was a forerunner, leaving a lasting imprint on European design and its philosophy. Just starting her professional career after graduating from Ecole de L'Union Centrale des Arts Décoratifs, she was acclaimed by critics for her piece, Bar Under the Roof, exhibited at the Salon de Autumn in 1927. The reviews instantly made her one of the most interesting contemporary designers of the time.

Perriand worked in collaboration with legendary constructeurs Le Corbusier and Jean Prouvé, developing mass production of furniture and prefabricated housing. The hallmark of Perriand’s career is thought to be the Les Arcs ski resort in Savoie, France. Perriand was in charge of the design and building of Les Arcs, and her interests in standardization, industrialization, and prefabrication are clearly visible: The minimalist hotel rooms, standardized kitchens and bathroom, and the great collective spaces open to nature repeat Charlotte Perriand’s design philosophy flawlessly.

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