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  5. Lily 3108 chair, chrome - walnut veneer FHF3108-WAL001-CST

Lily 3108 chair, chrome - walnut veneer

Fritz Hansen

6230 DKK

Fritz Hansen
Lily 3108 chair 6230 DKK

Description

Fritz Hansen's Lily 3108 chair charms with its curved lines, which not only guarantee a timeless look but also unique seating comfort – a typical combination for Danish designer Arne Jacobsen's furniture! Originally designed in 1968 for the Danish National Bank in Copenhagen, the Lily chair has become a beloved classic delighting sitters and decorating homes and public spaces all around the world.

The chair's stunning design, featuring a walnut-veneered seat and chrome legs, creates a harmonious look that fits seamlessly into various settings. The versatile Lily chair can be used in the dining room, home office, bedroom or as an extra seat in the living room.

Colour
Walnut, chrome
Width
54 cm
Depth
49 cm
Height
83 cm
Seat height
46 cm
Seat material
Lacquered walnut veneer, beech veneer
Base material
Chromed steel
Weight
4 kg
Stackable
Yes. Max 8 pcs
Notes
Felt glides
Care instructions
Wipe with a clean, damp cloth. Stains and dirt can be removed using a hot water and a mild washing detergent.
Product ID
FHF3108-WAL001-CST

Arne Jacobsen

Arne Jacobsen (1902-1971) is the most celebrated post-war Danish designer and architect. He graduated from the School of Applied Arts in 1924 and from the Royal Danish Academy of Fine Arts, where he studied architecture, in 1927. Arne Jacobsen worked actively both as an architect and as a designer and received many prestigious awards for his designs, including C. F. Hansen Medal and the Grand Prix of Milan XI Triennale.

Jacobsen’s most famous project was the Royal Hotel in Copenhagen (1956-1960), for which he designed every detail from textiles and lamps to cutlery and furniture. The AJ lamps, designed for the Royal Hotel and manufactured by Louis Poulsen, are a fine example of his streamlined and elegant style. The cutlery designed for the Royal Hotel and produced by Georg Jensen, represents a stylish design that is still today much praised. Also, the famous Egg and Swan chairs were designed for the Royal Hotel. As often happened with Arne Jacobsen’s designs, they were initially realized for a certain project and only later put into serial production – the same happened for the AJ lamps, the cutlery and the furniture he designed for the hotel. Royal Hotel was an extremely important project for Jacobsen because he could finally put his theories of integrated design and architecture into practice.

Jacobsen is well-known also for the Cylinda Line range, designed for Stelton in 1967. Since the very beginning, Cylinda Line has been an undisputed icon of Scandinavian design and today the range is part of numerous permanent collections in design museums all over the world.

• Read our article on Arne Jacobsen >

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The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.

  • Equal opportunities for all employees
  • Commitment to UN Global Compact, fair compensation for all employees
  • Corporate responsibility requirements defined and communicated for suppliers
  • Systematic work for improved inclusion and well-being in the workplace
  • Transparent supply chain
  • Suppliers' compliance to a code of conduct ensured
  • Direct suppliers audited and certified
  • Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
  • Support for community involvement in the supply chain
  • Fair and resource-wise water-use in production
  • No incineration or landfilling of returned items
  • No use of endangered species as materials
  • No direct environmental emissions or waste (excl. GHGs) from production
  • Material-efficient and ecological packaging
  • No potentially harmful chemicals used in own production
  • The sustainability of direct suppliers' production is addressed and monitored
  • Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
  • Positive impact on nature’s well-being through operations that regenerate natural ecosystems
  • Company's direct greenhouse gas emissions identified and commitment to reduction
  • Product's carbon impact identified and commitment to reduction
  • Guidance on energy- and eco-efficient use of the product
  • Contribution to climate initiatives beyond the brand’s direct operations
  • Carbon footprint of the product calculated and goals set to reduce it
  • Low-carbon or compensated transportation
  • 100 % renewable energy in own production and operations
  • Carbon neutral or carbon negative product
  • Sustainable and long-lasting material choices
  • No harmful or hazardous substances
  • Responsible raw material sourcing and production
  • Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
  • Ecological materials: natural, biodegradable, recyclable or recycled contents
  • Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
  • High aesthetic quality promoting long-term use of the product
  • Technically durable product design and material choices
  • Design for enduring life-long quality
  • Design and support for product maintenance, repair and upgradability
  • Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.

Learn more about the Product Sustainability Framework.

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