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  5. BM375 nesting tables, light oiled oak FRE5375-LOO

BM375 nesting tables, light oiled oak

Fredericia

7970 DKK 9380 DKK

Fredericia
BM375 nesting tables 7970 DKK 9380 DKK

Description

Fredericia's BM375 nesting tables offer a fresh take on the classic table designed by Børge Mogensen in 1962. The BM375 coffee table represents the Danish designer's work in its purest form: the table's simple, timeless design will delight in living rooms and lobbies alike.

Made of certified oak, the nesting table set consists of three tables of different sizes that fit neatly inside one another. This table typology was very common in the 1950s and appreciated for its flexibility and multifunctionality – features that are still valued today. The tables can be used as individual side tables, as a single unit or as a custom arrangement at the centre of your living room set.

Colour
Light oiled oak
Length
44.5 cm
Width
44.5 cm
Height
47.5 cm
Measurement details
Small table:
34 x 34 x 42 cm
Medium table:
39 x 39 x 44,5 cm
Large table:
44,5 x 44,5 x 47,5 cm
Table top material
Light oiled oak veneer
Base material
Light oiled solid oak
Weight
11 kg
Notes
Oiled wood surfaces must be maintained regularly with the application of a thin layer of oil. For oak light oil, it's recommended to use Leather Masters Natural Oil one to two times a year.
Care instructions
Wipe with a clean, dry cloth. Do not use wet cloths on oiled surfaces if this can be avoided. For stains that cannot be removed with a dry cloth, use a soft cloth dampened with clean water and wrung out. Immediately after wiping with the damp cloth, use a dry cloth to wipe the surface dry.
Product ID
FRE5375-LOO

Børge Mogensen

Danish furniture designer Børge Mogensen (1914 –1972) was one of the most influential designers of the Danish modern. Mogensen studied furniture design at Royal Danish Academy of Fine Arts, and his designs aimed at functionality, minimalist appearance and easy accessibility. Soon after his graduation Mogensen was named the chief of Danish Consumers’ Co-operative Society FDB, which focused on producing functional, durable and affordable furniture for all social classes.

Mogensen’s designs were often extremely modest and confident at the same time, and the same goes for his personality. Mogensen preferred to work with traditional and natural materials, but also liked to experiment with new techniques and supported the industrial production of furniture. His work was also influenced by folk art, lithography and Japanese wood carvings. During his career Mogensen was awarded with the Eckersberg Medal and C.F. Hansen Medal, and in 1972 he was named Honorary Royal Designer for Industry by the British Royal Society of Arts.

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