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  5. Series 7 3217 armchair, chrome - Essential black leather FHF3217FU-STBLA-CST-PLAL-SOFT-W

Series 7 3217 armchair, chrome - Essential black leather

Fritz Hansen

CHF 2,245.00

Fritz Hansen
Series 7 3217 armchair CHF 2,245.00

Description

Fritz Hansen's Series 7 3217 chair is one of designer Arne Jacobsen's most famous works, based on his beloved Ant chair. The sleek 3217 chair is part of the Series 7 chair collection which is best known for the iconic 3107 chair, designed in 1955.

The ergonomic, steam-bent plywood seat of the 3127 chair contains nine layers of beech veneer. The veneer surface is upholstered in luxurious Essential leather giving the Series 7 3127 chair an elegant look that brings Scandinavian sophistication to any space. With wheels and armrests, the 3217 chair is the perfect addition to both the home office and the boardroom.

Colour
Black, chrome
Width
61 cm
Depth
52 cm
Height
78–90 cm
Seat height
44–56 cm
Armrest height
66–78 cm
Seat material
Beech veneer
Seat cushion
Polyurethane foam
Upholstery fabric
Essential leather, black
Base material
Chromed steel
Weight
8.8 kg
Removable cover
No
Notes
Soft wheels (5pcs) for hard floors
Care instructions
Vacuum regularly using a soft brush nozzle.
Clean only when necessary, using hot water and soap flakes. Dissolve 2-3 tablespoons of soap flakes in 1 litre of boiled water. Using only the foam, apply evenly across the surface of the furniture using a soft cloth. Mop excess water with a dry, soft cotton cloth.
Product ID
FHF3217FU-STBLA-CST-PLAL-SOFT-W

Arne Jacobsen

Arne Jacobsen (1902-1971) is the most celebrated post-war Danish designer and architect. He graduated from the School of Applied Arts in 1924 and from the Royal Danish Academy of Fine Arts, where he studied architecture, in 1927. Arne Jacobsen worked actively both as an architect and as a designer and received many prestigious awards for his designs, including C. F. Hansen Medal and the Grand Prix of Milan XI Triennale.

Jacobsen’s most famous project was the Royal Hotel in Copenhagen (1956-1960), for which he designed every detail from textiles and lamps to cutlery and furniture. The AJ lamps, designed for the Royal Hotel and manufactured by Louis Poulsen, are a fine example of his streamlined and elegant style. The cutlery designed for the Royal Hotel and produced by Georg Jensen, represents a stylish design that is still today much praised. Also, the famous Egg and Swan chairs were designed for the Royal Hotel. As often happened with Arne Jacobsen’s designs, they were initially realized for a certain project and only later put into serial production – the same happened for the AJ lamps, the cutlery and the furniture he designed for the hotel. Royal Hotel was an extremely important project for Jacobsen because he could finally put his theories of integrated design and architecture into practice.

Jacobsen is well-known also for the Cylinda Line range, designed for Stelton in 1967. Since the very beginning, Cylinda Line has been an undisputed icon of Scandinavian design and today the range is part of numerous permanent collections in design museums all over the world.

• Read our article on Arne Jacobsen >

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Excellent

The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.

  • Equal opportunities for all employees
  • Commitment to UN Global Compact, fair compensation for all employees
  • Corporate responsibility requirements defined and communicated for suppliers
  • Systematic work for improved inclusion and well-being in the workplace
  • Transparent supply chain
  • Suppliers' compliance to a code of conduct ensured
  • Direct suppliers audited and certified
  • Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
  • Support for community involvement in the supply chain
  • Fair and resource-wise water-use in production
  • No incineration or landfilling of returned items
  • No use of endangered species as materials
  • No direct environmental emissions or waste (excl. GHGs) from production
  • Material-efficient and ecological packaging
  • No potentially harmful chemicals used in own production
  • The sustainability of direct suppliers' production is addressed and monitored
  • Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
  • Positive impact on nature’s well-being through operations that regenerate natural ecosystems
  • Company's direct greenhouse gas emissions identified and commitment to reduction
  • Product's carbon impact identified and commitment to reduction
  • Guidance on energy- and eco-efficient use of the product
  • Contribution to climate initiatives beyond the brand’s direct operations
  • Carbon footprint of the product calculated and goals set to reduce it
  • Low-carbon or compensated transportation
  • 100 % renewable energy in own production and operations
  • Carbon neutral or carbon negative product
  • Sustainable and long-lasting material choices
  • No harmful or hazardous substances
  • Responsible raw material sourcing and production
  • Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
  • Ecological materials: natural, biodegradable, recyclable or recycled contents
  • Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
  • High aesthetic quality promoting long-term use of the product
  • Technically durable product design and material choices
  • Design for enduring life-long quality
  • Design and support for product maintenance, repair and upgradability
  • Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.

Learn more about the Product Sustainability Framework.

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