Turner wall rack, designed for Inno by Susanne Grønlund in 2016, plays with the combination of a geometrically shaped black frame and round oak knobs. One of the oak knobs is longer, allowing the use of a coat hanger. The soulful wall rack works great in the hallway or by the wardrobe, and you can create a larger set with a group of several racks.
Turner wall rack, black - oak
Inno
Description
Turner wall rack, designed for Inno by Susanne Grønlund in 2016, plays with the combination of a geometrically shaped black frame and round oak knobs. One of the oak knobs is longer, allowing the use of a coat hanger. The soulful wall rack works great in the hallway or by the wardrobe, and you can create a larger set with a group of several racks.
Product details (5)
- Material
- Oak, metal epoxy
- Colour
- Black, oak
- Width
- 14.17 in (36 cm)
- Depth
- 3.35 in (8.5 cm)
- Height
- 12.2 in (31 cm)
- Product ID
Designer
Susanne Grønlund is a Danish designer who likes to combine Scandinavian traditions with playful style and explore the boundaries of different materials. Grønlund graduated in 1991 from the Danish Design School and established her own studio in Copenhagen. During her career Grønlund has won many significant design awards, such as the Red Dot Award, Norwegian Design Council Award and Good Design Award.
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Sustainability
The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.
Working conditions & labour 9/9
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Equal opportunities for all employees -
Commitment to UN Global Compact, fair compensation for all employees
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Corporate responsibility requirements defined and communicated for suppliers
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Systematic work for improved inclusion and well-being in the workplace
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Transparent supply chain
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Suppliers' compliance to a code of conduct ensured
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Direct suppliers audited and certified
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Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
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Support for community involvement in the supply chain
Eco-friendly production 9/9
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Fair and resource-wise water-use in production
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No incineration or landfilling of returned items
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No use of endangered species as materials
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No direct environmental emissions or waste (excl. GHGs) from production
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The sustainability of direct suppliers' production is addressed and monitored
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Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
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Material-efficient and ecological packaging
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Positive impact on nature’s well-being through operations that regenerate natural ecosystems
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No potentially harmful chemicals used in own production
Climate impact 7/8
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Company's direct greenhouse gas emissions identified and commitment to reduction
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Product's carbon impact identified and commitment to reduction
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Guidance on energy- and eco-efficient use of the product
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Contribution to climate initiatives beyond the brand’s direct operations
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Low-carbon or compensated transportation
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Carbon footprint of the product calculated and goals set to reduce it
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Carbon neutral or carbon negative product
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100 % renewable energy in own production and operations
Sustainable materials 6/6
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Sustainable and long-lasting material choices
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No harmful or hazardous substances
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Responsible raw material sourcing and production
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Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
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Ecological materials: natural, biodegradable, recyclable or recycled contents
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Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
Circular design 5/5
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High aesthetic quality promoting long-term use of the product
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Technically durable product design and material choices
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Design for enduring life-long quality
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Design and support for product maintenance, repair and upgradability
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Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.
