Potence Pivotante Mini wall lamp, grey

Nemo Lighting

C$580.00 C$725.00

Colour: Grey


Nemo Lighting
Potence Pivotante Mini wall lamp
C$580.00 C$725.00



Description

Italian Nemo Lighting has re-launched the strikingly minimalist wall light Charlotte Perriand designed in 1938. Potence Pivotante Mini is a smaller version of the famous Potence Pivotante lamp: an L-shaped light that rotates 180 degrees on the wall and features a long and slender aluminium arm. With its slender shape and timeless, reduced form, Potence Pivotante makes a perfect statement light in both private and public contexts.

Material
Aluminium, metal, glass
Colour
Grey
Length
33.07 in (84 cm)
Width
3.15 in (8 cm)
Diameter
3.15 in (8 cm)
Height
19.69 in (50 cm)
Bulb base
G9
Light source
4W LED (included)
IP rating
20
Protection class
II
Voltage
230 V
Nominal frequency
50–60 Hz
Certifications and labels
CE, EAC
Plug
EU plug
Cable length
98.43 in (250 cm)
Dimmable
Yes
Product ID
NM-POM-HDW-31

Charlotte Perriand

Charlotte Perriand (1903–1999) was a French architect and designer, who is most famously known for her ingenious, minimalist, and deeply functional work. Metal was of particular importance in Perriand’s design. Charlotte Perriand believed that skillful, quality design could also help to build a better, more sustainable society.

Charlotte Perriand was a forerunner, leaving a lasting imprint on European design and its philosophy. Just starting her professional career after graduating from Ecole de L'Union Centrale des Arts Décoratifs, she was acclaimed by critics for her piece, Bar Under the Roof, exhibited at the Salon de Autumn in 1927. The reviews instantly made her one of the most interesting contemporary designers of the time.

Perriand worked in collaboration with legendary constructeurs Le Corbusier and Jean Prouvé, developing mass production of furniture and prefabricated housing. The hallmark of Perriand’s career is thought to be the Les Arcs ski resort in Savoie, France. Perriand was in charge of the design and building of Les Arcs, and her interests in standardization, industrialization, and prefabrication are clearly visible: The minimalist hotel rooms, standardized kitchens and bathroom, and the great collective spaces open to nature repeat Charlotte Perriand’s design philosophy flawlessly.

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