The name of Örsjö’s Hobo pendant light refers to the glass manufacturing history of Småland: drifters used to sleep in the warmth of glass blowing furnaces and make curious objects from bent metal wire. Designed by Gustaf Nordenskiöld, Hobo combines these craft traditions and features a beautiful opal glass diffuser blown into a brass basket. Due to the manufacturing process, there is slight variation in each shade making the lamps unique pieces. Hobo provides a pleasant general light, and its eye-catching design is complemented by a green rope suspension and a yellow textile cord.
Hobo pendant, small, brass
Örsjö
Description
The name of Örsjö’s Hobo pendant light refers to the glass manufacturing history of Småland: drifters used to sleep in the warmth of glass blowing furnaces and make curious objects from bent metal wire. Designed by Gustaf Nordenskiöld, Hobo combines these craft traditions and features a beautiful opal glass diffuser blown into a brass basket. Due to the manufacturing process, there is slight variation in each shade making the lamps unique pieces. Hobo provides a pleasant general light, and its eye-catching design is complemented by a green rope suspension and a yellow textile cord.
Product details (21)
- Material
- Rough brass, opal glass
- Colour
- Brass, white
- Length
- 47.24 in (120 cm)
- Width
- 8.66 in (22 cm)
- Diameter
- 8.66 in (22 cm)
- Height
- 11.42 in (29 cm)
- Light source
- Fixed 4W LED
- Colour temperature
- 2,700 K
- Luminous flux
- 230 lm
- IP rating
- 20
- Protection class
- I
- Voltage
- 230 V
- Certifications and labels
- CE marked: tested and approved according to European standards
- Cable length
- 53.15 in (135 cm)
- Cable colour
- Green rope suspension, yellow cord
- Cable material
- Textile
- Weight
- 6.61 lbs (3 kg)
- Canopy
- Included
- Ceiling plug
- Yes: DCL plug
- Notes
- Brass ceiling cup
- Dimmable
- Yes
- Product ID
Designer
Gustaf Nordenskiöld is a Swedish artist and designer whose products are often made of traditional materials such as ceramics, glass, metal and textile. His style is characterized by a rough, unfinished edge with traces of the manufacturing process left on the object as a memory of its making. Nordenskiöld’s designs have been exhibited in places such as the National Museum of Sweden, ASU Art Museum in Arizona and Vallauris Ceramics Museum in France.
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