Petite Friture’s Cherry pendant light features a fun design that will please anyone fond of geometry and minimalism. The light consists of a simple metal cone and a shimmering golden sphere attached to its plexiglass base. According to designers Daniel To and Emma Aiston from Daniel Emma, the light’s shape refers to novelty erasers they used to collect as children – more specifically a sundae cup topped with a cherry. Cherry is a contemporary pendant lamp that catches the eye and offers a subtle and pleasant light.
CAMPAIGN
10.10.–7.11.2024
10.10.–7.11.2024
Cherry LED pendant, large, white
Petite Friture
Description
Petite Friture’s Cherry pendant light features a fun design that will please anyone fond of geometry and minimalism. The light consists of a simple metal cone and a shimmering golden sphere attached to its plexiglass base. According to designers Daniel To and Emma Aiston from Daniel Emma, the light’s shape refers to novelty erasers they used to collect as children – more specifically a sundae cup topped with a cherry. Cherry is a contemporary pendant lamp that catches the eye and offers a subtle and pleasant light.
Product details (22)
- Material
- Matt grained powder-coated aluminium, mirror finish steel, plexiglass
- Colour
- White, gold
- Width
- 19.69 in (50 cm)
- Diameter
- 19.69 in (50 cm)
- Height
- 14.76 in (37.5 cm)
- Light source
- Integrated dimmable 7.8W LED
- Colour temperature
- 3,000 K
- Luminous flux
- 1,040 lm
- Lifetime
- 50,000 h
- IP rating
- 20
- Protection class
- II
- Voltage
- 220–240 V
- Nominal frequency
- 50–60 Hz
- Certifications and labels
- CE marked: tested and approved according to European standards
- Cable length
- 118.11 in (300 cm)
- Cable colour
- White
- Cable material
- Textile
- Weight
- 4.41 lbs (2 kg)
- Canopy
- Included
- Ceiling plug
- No
- Dimmable
- Yes
- Care instructions
- Clean with a soft, lint-free cloth (slightly damp).
- Product ID
Designer
Daniel Emma is the design studio Daniel To (b. 1984) and Emma Aiston (b. 1985) founded in 2008 to express themselves through means of industrial design. They met while studying industrial design at the University of South Autralia in Adelaide and after graduating in 2007 they gained experience by working for design studios such as Marc Newson, Thorsten Van Elten and Committee. Daniel Emma’s work features various projects from stationery to installations, and the studio’s clients include Hay, Wallpaper, Field, Tait and Petite Friture.
In 2009 Wallpaper listed To an Aiston the graduates to watch and the next year they were selected as the most promising talent both at 100% Design London and the Bombay Sapphire Australian Design Discovery Award. Daniel Emma’s work is influenced by the diverse culture of Australia and characterized by simple geometric shapes and the aim to be ‘just nice’.
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Sustainability
The Product Sustainability Framework, our criteria of sustainable design, helps you find the most sustainable products in our selection. Read below which sustainability criteria this product has met.
Working conditions & labour 7/9
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Equal opportunities for all employees -
Commitment to UN Global Compact, fair compensation for all employees
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Corporate responsibility requirements defined and communicated for suppliers
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Systematic work for improved inclusion and well-being in the workplace
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Transparent supply chain
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Suppliers' compliance to a code of conduct ensured
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Support for community involvement in the supply chain
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Direct suppliers audited and certified
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Compliance to the UN Guiding Principles on Business and Human Rights ensured in the supply chain
Eco-friendly production 6/9
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Fair and resource-wise water-use in production
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No incineration or landfilling of returned items
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No use of endangered species as materials
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No direct environmental emissions or waste (excl. GHGs) from production
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Material-efficient and ecological packaging
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No potentially harmful chemicals used in own production
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The sustainability of direct suppliers' production is addressed and monitored
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Production and material sourcing that respect biodiversity, animal rights, and natural ecosystems
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Positive impact on nature’s well-being through operations that regenerate natural ecosystems
Climate impact 3/8
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Company's direct greenhouse gas emissions identified and commitment to reduction
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Product's carbon impact identified and commitment to reduction
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Guidance on energy- and eco-efficient use of the product
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Contribution to climate initiatives beyond the brand’s direct operations
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Low-carbon or compensated transportation
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Carbon footprint of the product calculated and goals set to reduce it
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100 % renewable energy in own production and operations
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Carbon neutral or carbon negative product
Sustainable materials 5/6
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Sustainable and long-lasting material choices
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No harmful or hazardous substances
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Responsible raw material sourcing and production
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Materials suited for circularity: monomaterials, recyclable finishings, renewable or recycled contents etc.
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Ecological materials: natural, biodegradable, recyclable or recycled contents
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Outstanding materials in terms of innovativeness, responsibility, sustainability and circularity: local production or sourcing, 100 % recycled content, C2C-certification etc.
Circular design 4/5
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High aesthetic quality promoting long-term use of the product
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Technically durable product design and material choices
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Design for enduring life-long quality
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Design and support for product maintenance, repair and upgradability
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Innovative circular design solutions: circular service system, resale platform, remanufacturing, collection of used products, etc.
