Designed by Paolo Rizzatto for the Italian brand Flos in 1973, the 265 wall lamp features a long, adjustable steel arm that can reach over 1.5 meters from the wall. Equipped with a cast iron counterweight and a lamp head with 360-degree rotation, the unique wall lamp defies the laws of gravity and the conventions of design. The sleek body and versatile adjustability make the 265 suitable for many kinds of spaces from offices to lounging, and the long arm can easily reach above a dining table, lounge chair or sofa set.
265 wall lamp, small, white
Flos
Description
Designed by Paolo Rizzatto for the Italian brand Flos in 1973, the 265 wall lamp features a long, adjustable steel arm that can reach over 1.5 meters from the wall. Equipped with a cast iron counterweight and a lamp head with 360-degree rotation, the unique wall lamp defies the laws of gravity and the conventions of design. The sleek body and versatile adjustability make the 265 suitable for many kinds of spaces from offices to lounging, and the long arm can easily reach above a dining table, lounge chair or sofa set.
Product details (16)
- Material
- Steel
- Colour
- White
- Length
- 150 cm
- Depth
- 57 cm
- Height
- 24 cm
- Measurement details
-
Length (arm): 150 cm
Depth (wall mount): 57 cm
Height (wall mount): 24 cm - Bulb base
- E27
- Light source
- 11,5W LED (not included)
- IP rating
- 20
- Protection class
- II
- Voltage
- 220–250 V
- Certifications and labels
- CE, ENEC
- Cable length
- 203 cm
- Weight
- 5 kg
- Integrated switch
- Yes
- Dimmable
- No
- Product ID
Designer
Paolo Rizzatto (b. 1941) is an Italian designer, who graduated in Architecture from Milan Polytechnic in 1965. Besides architecture, Rizzatto has worked with interior and product design, and freelanced for numerous different brands, such as Artemide and Kartell. He is also one of the founders of the Italian lighting brand Luceplan. Rizzatto has been awarded five times with the prestigious Compasso d’oro, and his designs can be found from the collections of New York’s MoMA, London’s Victoria and Albert Museum and Paris’ Musée des Arts Décoratifs, to mention a few.
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